Box 1
Contains 188 Results:
"I'd Build a World in the Heart of a Rose (COVER ONLY);" Lyrics by Worton David, Compositon by Horatio Nicholls , 1918
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Rose Room;" Lyrics by Harry Williams, Composition by Larry ?, 1918
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Beautiful Ohio;" Composition by Mary Earl, 1918
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Dear Old Pal of Mine;" Lyrics by Harold Robe, Composition by Lt. Gitz Rice, 1918
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Till We Meet Again;" Lyrics by Raymond B. Egan, Composition by Richard A. Whiting , 1918
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"K-K-K-Katy;" Lyrics and Composition by Geoffrey O'Hara , 1918
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"That Wonderful Mother of Mine;" Lyrics by Clyde Hager, Composition by Walter Goodwin , 1918
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"The Land of Make Believe;" Lyrics by Cyril MacMeekin, Composition by J.A. MacMeekin , 1919
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Let the Rest of the World Go By;" Lyrics by J. Keirn Brenman, Composition by Ernest R. Ball, 1919
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Take Your Girlie to the Movies;" Lyrics by Edgar Leslie and Bert Kalmar, Composition by Pete Wendling, 1919
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.