Box 6
Contains 46 Results:
"Forsaking All Others," & "Sparrow in the Tree Top," & "You Know You Belong to Somebody Else," & "Please Don't Talk About Me When I'm Gone," Composition by Bill-Roma-Watt-Watkins & Bob Merrill & Eugene West-James V. Monaco & Sidney Clare-Sam H. Stept, Undated
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"With These Hands," & "Till We Meet Again," & "Moon Ride," & "Under Paris Skies," Composition by B. Davis-Silver & Egan-R. Whiting & Guryan & Gannon-Giraud, Undated
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Stompin' at the Savoy," & "Stardust," & "Tennessee Waltz," & "Little Rock Getaway," Composition by Goodman-Webb-Sampson-Razaf & Hoagy Carmichael-Mitchell Parish & Rodd Stevart-Pee Wee King & Joe Sullivan , Undated
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Sam Fox Concert Orchestral Folio," Composition by J.S. Zamecnik, 1917
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
Sheet Music Book, Composition by Edwin Vaile McIntyre, 1917
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Star Dance Folio for Piano Solo," Composition by Jerome H. Remick & Company, 1926
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Fox Organ Series Transcriptions for the Organ," Composition by Sam Fox Publishing Co., 1921
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Feist Dance Folio No. 9," Composition by Leo Feist Inc., 1925
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Standard Organ Pieces," Composition by D. Appleton & Co., 1924
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Negro Classics Syncopated Piano Solos," Composition by Clarence Wiliams Music Pub. Co. Inc., 1925
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.