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Box 4

 Container

Contains 153 Results:

"A Time for Us (Love theme from Romeo and Juliet)," Composition by Josef Myrow, 1968

 File — Box: 4, Folder: 117
Content Description From the Collection:

This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.

Dates: Other: 1968

"Bridger Over Troubled Water," Composition by Paul Simon, 1969

 File — Box: 4, Folder: 119
Content Description From the Collection:

This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.

Dates: Other: 1969

"Theme from Love Story," Composition by Francis Lai, 1970

 File — Box: 4, Folder: 120
Content Description From the Collection:

This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.

Dates: Other: 1970

"Send in the Clowns," Composition by Stephen Sondheim, 1973

 File — Box: 4, Folder: 121
Content Description From the Collection:

This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.

Dates: Other: 1973

"The Way We Were," Composition by Marvin Hamlisch, 1973

 File — Box: 4, Folder: 122
Content Description From the Collection:

This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.

Dates: Other: 1973

"Evergreen," Composition by Barbra Streisand, 1976

 File — Box: 4, Folder: 123
Content Description From the Collection:

This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.

Dates: Other: 1976

"Today," Composition by James D. Ployhar, 1977

 File — Box: 4, Folder: 124
Content Description From the Collection:

This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.

Dates: Other: 1977

"Memory," Composition by Andrew Llyod Webber, 1981

 File — Box: 4, Folder: 125
Content Description From the Collection:

This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.

Dates: Other: 1981

"Apollo 13," Composition by James Horner, 1995

 File — Box: 4, Folder: 126
Content Description From the Collection:

This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.

Dates: Other: 1995

"A Thematic List of Copyright Piano Pieces," Composition by Clayton F. Sammy, Undated

 File — Box: 4, Folder: 132
Content Description From the Collection:

This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.

Dates: Other: Undated