Box 4
Contains 153 Results:
"Midnight in Paris," Composition by Ethel Smith, 1949
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Nola," Composition by Felix Arndt, 1949
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"South Pacific," Composition by Richard Rodgers, 1949
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Mediation," Composition by Jules Massenet, 1950
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Blue Tango," Composition by Leroy Anderson, 1951
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Collection of Easy Solos for Hammond Organ," Composition by Fred Feibel, 1951
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Somewhere Along the Way," Composition by Kurt Adams, 1952
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Trumpet Tune in D Major," Composition by Henry Purcell, 1952
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Ebb Tide," Composition by Robert Maxwell, 1953
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Kissmet," Composition by Robert Wright & George Forrest, 1953
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.