Box 3
Contains 202 Results:
"You Go to My Head," Composition by J. Fred Coots, 1938
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Because Song," Composition by Guy D'Hardelot, 1939
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Brazil," Composition by Ary Barroso, 1939
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Dark Eyes," Composition by A. Fassio, 1938
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"I Get Along Without You Very Well (Except Sometimes)," Composition by Hoagy Carmichael, 1939
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Indian Love Call," Composition by Rudolf Friml, 1939
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Moon Love," Composition by Mack David, 1939
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"S'posin," Composition by Paul Denniker, 1939
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"Standard Dance Music Guide," Composition by Anthony Ray de Vita, 1939
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.
"A Fellow and a Girl," Composition by Jay Gorney, 1940
This collection includes over 400+ pieces of sheet music reflecting Hayden Reynolds’s tastes as both a consumer and producer of music. Encompassing a wide array of genres (classical, Tin Pan Alley, blues, jazz, and gospel), as well as Reynolds’s own original compositions, the collection extends chronologically from 1893 to 1963. It subsequently provides a cross-section of developments in the publishing of popular music and innovations in the production and commercialization of said music.